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Amour

Amour (2012) – A spell-binding, unwavering look at the part of the happy love story we prefer not to see, when the promise of til-death-do-us-part is made real. Here we are at the inevitable parting inherent in any happy couple that has weathered life’s storms and grown old together. It’s the point at which most stories avert their gaze, and it’s where Haneke’s camera refuses to look away. We observe the old married couple, Georges and Anne, in their routines – in health and in its slow deterioration – and the patient camera forces us to see the pain and despair but also the deep love that binds and supports them both. Yes, it’s the untidiness of approaching death played out in full, and an unfolding of the comforts and terrors of intimacy, and finally a glimpse of the dark and discomfitting places love may lead us – but it is also strangely touching and hopeful. This is not an easy movie, and it demands much of you, but it is well worth it. You might even call it romantic. Well, if you like quiet, extremely intense foreign art house movies. About love, commitment and death.

Caveat: This is the first Haneke movie I’ve seen, so while I’m aware of his reputation for cruelty and manipulation, I have no history with it.

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